One of the most hilarious moments in the film is when she is walking out of the house to see where Giri is and her father asks her not to go outside as it might rain. Thankfully, she ignores her, perhaps for all of us. Her motherвЂ™s steady stream of advice is ever familiar to most Malayalee girls вЂ“ sit properly, do not whistle, do not slide down bannisters and so on.

She plays Pooja, the opposite of that most dreaded of cinematic constructs, the gratingly uni-dimensional, syrupy sweet вЂbubblyвЂ™ girl.ДЄs a teenager, Pooja is angsty, grouchy, pensive, and вЂ“sometimes if the mood strikes вЂ“sunny, a.k.a. Pooja Mathew: Nazriya is the best thing about the film, period. We look at why it is a terrific sign that OSO went on to become a superhit. In every scene, there are subversions, inversions or parodies of the sacred tropes of Malayalam commercial films. It is a film in which the heroine interrupts the melodramatic introductory voiceover with вЂњIthu entha megaserialinte kadhayo? Ente kadha alle? Njaan paranjolaamвЂќ (Hey, is this some mega-serial? It is my story, right? So, let me narrate it!).

Not quite! It is a girl-meets-boy story, and that is a whole different kettle of fish. 'Ohm Shanthi Oshaana' is your regular boy-meets-girl story.

Royal enfield in om shanti oshana movie